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The Cat Who Wouldn't Stay in Profile

For three thousand years everyone in the tomb painting has faced sideways. Then the cat turns round to look at us.

Style Ancient Egyptian tomb painting7 keyframes2 ghost framesModel Qwen-Image 2.1 · fast

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    Storyboard

    7 keyframes. 2 ghost frames — the one-change-per-edit steps between them — are hidden; switch them on at the bottom left.

    For three thousand years, everyone on the tomb wall has faced sideways.
    01

    For three thousand years, everyone on the tomb wall has faced sideways.

    Then, one night, the cat turned round to look at us.
    02

    Then, one night, the cat turned round to look at us.

    The scribe was scandalised.
    03

    The scribe was scandalised.

    But curiosity is catching. The bread-carriers turned too.
    04

    But curiosity is catching. The bread-carriers turned too.

    Soon, half the wall was looking at us.
    05

    Soon, half the wall was looking at us.

    And in the end, even the scribe.
    06

    And in the end, even the scribe.

    They are still deciding what they think of you.
    07

    They are still deciding what they think of you.

    Cast, props & sets

    The cat
    The cat, turned to face us (derived)
    The scribe
    Set — the tomb wall

    Thrown away (6)

    candidates/X04_t1.png — workers unchanged (faces still in profile) — each face ~25 px in the wide; → region edit
    candidates/X04_t2.png — workers unchanged (faces still in profile) — each face ~25 px in the wide; → region edit
    candidates/X04_t3.png — workers unchanged (faces still in profile) — each face ~25 px in the wide; → region edit
    candidates/X05_t1.png — scribe still in profile — small face in the wide; → region edit
    candidates/X05_t2.png — scribe still in profile — small face in the wide; → region edit
    candidates/X05_t3.png — scribe still in profile — small face in the wide; → region edit